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	<title>XENITH &#187; Robin Hood</title>
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		<title>Grown Up. Writer. Outlaw?</title>
		<link>http://www.xenith.net/columns/cutting-room-floor/grown-up-writer-outlaw/</link>
		<comments>http://www.xenith.net/columns/cutting-room-floor/grown-up-writer-outlaw/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 23:42:00 +0000</pubDate>
		<dc:creator>Maysa H</dc:creator>
				<category><![CDATA[The Cutting Room Floor]]></category>
		<category><![CDATA[Alfred Molina]]></category>
		<category><![CDATA[apples]]></category>
		<category><![CDATA[biography]]></category>
		<category><![CDATA[Clifford Irving]]></category>
		<category><![CDATA[Eli Wallach]]></category>
		<category><![CDATA[Hoax]]></category>
		<category><![CDATA[Howard Hughes Catch Me If You Can]]></category>
		<category><![CDATA[Marcia Gay Harden]]></category>
		<category><![CDATA[Richard Gere]]></category>
		<category><![CDATA[Robin Hood]]></category>
		<category><![CDATA[Stanley Tucci]]></category>
		<category><![CDATA[true crime]]></category>

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		<description><![CDATA[Remember that dappled, romantic notion of writerly living we discussed? Garrets, apples, dust motes, vellum, inkwells, and such. I’m struggling at present, feeling altogether too practical. The real world has a nasty habit of intruding at the most inopportune moments, as countless true-crime features can attest. My less convenient attacks of pragmatism often hit when [...]]]></description>
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