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hamlet
excerpts from the play by william shakespeare

Hamlet is a play that has it all: ghosts, murder, love, death, scandal, and madness. The play begins at Elsinore where, for the past few nights, the guards at the castle have seen what appears to be the ghost of the recently deceased king wandering about.
        A new king, Claudius, has just taken the throne and a new wife. This reasonably upsets Hamlet, who was the son of the king who had just died. However, to make matters worse, Claudius’ new wife just happened to be his (Claudius’) former sister in law -- widow of the king who had just died and the mother of Hamlet. Hamlet is, understandably, very upset -- his father has just died, his mother has married his uncle, and there is a rumor going around that a ghost resembling his father is roaming around the castle in the middle of the night.
        Hamlet, however, agrees to go see this ghost for himself. When the ghost appears before him, Hamlet sees that it does resemble his father and demands that it speaks to him. He is shocked by what the ghost tells him: he (Hamlet’s deceased father) was not killed by the sting of a serpent, as the court had been told, but instead murdered by his own brother, Claudius. The ghost asks Hamlet to avenge his death, and Hamlet wholeheartedly agrees. He decides to pretend he has gone insane as somewhat of a disguise until he can avenge his father’s death. To read a great, straightforward summary of hamlet, click here.

Act I, Scene 1
Elsinore. A platform before the castle.

BERNARDO
Looks it not like the king? mark it, Horatio.

HORATIO
Most like: it harrows me with fear and wonder.

BERNARDO
It would be spoke to.

MARCELLUS
Question it, Horatio.

HORATIO
What art thou that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of buried Denmark
Did sometimes march? by heaven I charge thee, speak!

* * *

MARCELLUS
Is it not like the king?

HORATIO
As thou art to thyself:
Such was the very armour he had on
When he the ambitious Norway combated;
So frown'd he once, when, in an angry parle,
He smote the sledded Polacks on the ice.
'Tis strange.

* * *

HORATIO
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him.

Act 1, Scene 2
A room of state in the castle

HAMLET
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.

Act 1, Scene 4
The platform

[Enter Ghost]

HAMLET
Angels and ministers of grace defend us!
Be thou a spirit of health or goblin damn'd,
Bring with thee airs from heaven or blasts from hell,
Be thy intents wicked or charitable,
Thou comest in such a questionable shape
That I will speak to thee: I'll call thee Hamlet,
King, father, royal Dane: O, answer me!
Let me not burst in ignorance; but tell
Why thy canonized bones, hearsed in death,
Have burst their cerements; why the sepulchre,
Wherein we saw thee quietly inurn'd,
Hath oped his ponderous and marble jaws,
To cast thee up again. What may this mean,
That thou, dead corse, again in complete steel
Revisit'st thus the glimpses of the moon,
Making night hideous; and we fools of nature
So horridly to shake our disposition
With thoughts beyond the reaches of our souls?
Say, why is this? wherefore? what should we do?

[Ghost beckons HAMLET]

Act 1, Scene 5
Another part of the platform

GHOST
List, list, O, list!
If thou didst ever thy dear father love...

HAMLET
O God!

GHOST
Revenge his foul and most unnatural murder.

HAMLET
Murder!

GHOST
Murder most foul, as in the best it is;
But this most foul, strange and unnatural.

HAMLET
Haste me to know't, that I, with wings as swift
As meditation or the thoughts of love,
May sweep to my revenge.

GHOST
I find thee apt;
And duller shouldst thou be than the fat weed
That roots itself in ease on Lethe wharf,
Wouldst thou not stir in this. Now, Hamlet, hear:
'Tis given out that, sleeping in my orchard,
A serpent stung me; so the whole ear of Denmark
Is by a forged process of my death
Rankly abused: but know, thou noble youth,
The serpent that did sting thy father's life
Now wears his crown.

HAMLET
My prophetic soul! My uncle!

GHOST
Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with traitorous gifts,--
O wicked wit and gifts, that have the power
So to seduce!--won to his shameful lust
The will of my most seeming-virtuous queen.

Act 3. Scene 1
A room in the castle

HAMLET
To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action

Act 3, Scene 2
A hall in the castle

OPHELIA
'Tis brief, my lord.

HAMLET
As woman's love.

* * *

PLAYER QUEEN
O, confound the rest!
Such love must needs be treason in my breast:
In second husband let me be accurst!
None wed the second but who kill'd the first.

Act 5, Scene 1
A Churchyard

HAMLET
Alas, poor Yorick! I knew him, Horatio: a fellow
of infinite jest, of most excellent fancy: he hath
borne me on his back a thousand times; and now, how
abhorred in my imagination it is! my gorge rims at
it. Here hung those lips that I have kissed I know
not how oft. Where be your gibes now? your
gambols? your songs? your flashes of merriment,
that were wont to set the table on a roar? Not one
now, to mock your own grinning? quite chap-fallen?

* * *

LAERTES
Lay her i' the earth:
And from her fair and unpolluted flesh
May violets spring! I tell thee, churlish priest,
A ministering angel shall my sister be,
When thou liest howling.

* * *

LAERTES
O, treble woe
Fall ten times treble on that cursed head,
Whose wicked deed thy most ingenious sense
Deprived thee of! Hold off the earth awhile,
Till I have caught her once more in mine arms:

Leaps into the grave

Now pile your dust upon the quick and dead,
Till of this flat a mountain you have made,
To o'ertop old Pelion, or the skyish head
Of blue Olympus.

HAMLET
[Advancing] What is he whose grief
Bears such an emphasis? whose phrase of sorrow
Conjures the wandering stars, and makes them stand
Like wonder-wounded hearers? This is I,
Hamlet the Dane.

Leaps into the grave

LAERTES
The devil take thy soul!

Act 5, Scene 2
A hall in the castle

KING CLAUDIUS
Set me the stoops of wine upon that table.
If Hamlet give the first or second hit,
Or quit in answer of the third exchange,
Let all the battlements their ordnance fire:
The king shall drink to Hamlet's better breath;
And in the cup an union shall he throw,
Richer than that which four successive kings
In Denmark's crown have worn. Give me the cups;
And let the kettle to the trumpet speak,
The trumpet to the cannoneer without,
The cannons to the heavens, the heavens to earth,
'Now the king dunks to Hamlet.' Come, begin:
And you, the judges, bear a wary eye.

* * *

LAERTES
It is here, Hamlet: Hamlet, thou art slain;
No medicine in the world can do thee good;
In thee there is not half an hour of life;
The treacherous instrument is in thy hand,
Unbated and envenom'd: the foul practise
Hath turn'd itself on me lo, here I lie,
Never to rise again: thy mother's poison'd:
I can no more: the king, the king's to blame.

HAMLET
The point!--envenom'd too!
Then, venom, to thy work.

Stabs KING CLAUDIUS

* * *

HAMLET
Here, thou incestuous, murderous, damned Dane,
Drink off this potion. Is thy union here?
Follow my mother.

KING CLAUDIUS dies

LAERTES
He is justly served;
It is a poison temper'd by himself.
Exchange forgiveness with me, noble Hamlet:
Mine and my father's death come not upon thee,
Nor thine on me.

Dies

* * *

HAMLET
O, I die, Horatio;
The potent poison quite o'er-crows my spirit:
I cannot live to hear the news from England;
But I do prophesy the election lights
On Fortinbras: he has my dying voice;
So tell him, with the occurrents, more and less,
Which have solicited. The rest is silence.

Dies

HORATIO
Now cracks a noble heart. Good night sweet prince:
And flights of angels sing thee to thy rest!

* * *

PRINCE FORTINBRAS
Let four captains
Bear Hamlet, like a soldier, to the stage;
For he was likely, had he been put on,
To have proved most royally: and, for his passage,
The soldiers' music and the rites of war
Speak loudly for him.
Take up the bodies: such a sight as this
Becomes the field, but here shows much amiss.
Go, bid the soldiers shoot.

A dead march. Exeunt, bearing off the dead bodies; after which a peal of ordinance is shot off

 

 

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